Skateshops heavily rely on a powerful soundtrack, music is there to resonate with everyone who comes through and now that the physical store is closed under government guidelines I'm missing 8 hours of music a day, so I started getting people from across skateboarding to put together playlists.
Jimmy Wizard is the frontman to Higher Power, a Leeds based post-hardcore band and he tattoos in the underground Hell's Kitchen studio. Much like the rest of the population Jimmy's life is on hold, bands need to tour and tattooist need to tat.
Whilst he's got all this free time we managed to grab him via the internet to discuss album launches, Hell's Kitchen and most importantly his dog.
Scroll meaningfully through the interview and indulge in Jimmy's playlist below.
Are you isolating on a golf course? Do you not fancy, potting holes or teeing off?
I’m not a golfer man, my granddad and I used to go to the driving range when I was a kid. I sucked. I’ve not got the hand eye co-ordination for it. I’m just out walking my dog, Harley.
I’d really like to be good at it, become pro. Golf is all about who can play the least amount of golf.
I did one normal round once. My granddad at the driving range said to me ’You’re ready for the course’ (You are FUCKING ready) haha. I went for one round with his mates and I was thinking ‘this is fucking boring . Literally once you’ve done the first hit and smashed it, the rest of it is putting it in the hole. Which is really fucking hard. Only the easy bits are fun not the hard bit at the end.
That is usable content, perfect intro for a micro interview. It’s already here, this is already not about skateboarding, it’s about golf. Fucking golf, a real topic people want to hear about. Are you by the nature reserve and power station?
I come here a lot and I’ve not seen anyone recently but fuck yeah I’m getting the course for free today! This is the time for a free course.
One time on a tour for Higher Power we made some money, instead of distributing the money between ourselves to pay bills we bought a ridiculous amount of golf balls, we were coming back through Folkestone. Someone was straight up ‘Lets go to the cliffs, buy loads of golf balls and smash them off a cliff and into the sea’. We got golf balls, 120 of them; we ended up bringing them all back to Leeds. We took them to a waterfall and teed them from the top and blasted them out into the water, 120 balls.
How did you go about putting the playlist together and can you explain your choices? Is there a theme throughout? Or is it just ‘these songs bang’?
It was guitar music that wasn’t too heavy, angry or extreme but still rocks, it’s the rock elements with good vibes to it. These are the songs if I’m not feeling listening to hardcore or punk. I just need some distorted guitar, nice choruses and melodies. That’s my jam at the moment, were in a dark time and everything is negative, this will keep you positive, put some nice songs on and keep it rocking. That was my brain.
It’s my brainchild of good guitars and semi-punk.
Is it easy listening for the moshers? The moshers easy listening playlist?
That’s it, Morning Mosh. It’s my go-to lying in and chilling out. It’s travelling music flying or on the train and attempting to chill in-between gigs.
Get this; I listen to so much radio rock. 90’s radio rock, anthems too, that’s my shit and what I’m mainly listening to. They make me feel good and it’s so easy to listen to.
That’s cool, we've talkied in the past about the early 2000s channel hopping from Kerrang to Scuzz and back again, was that an influence within the playlist? Can you describe that too, some people might read this and not understand. So what the fuck is the Kerrang to Scuzz hop?
If you don’t know that you haven’t lived, you well and truly missed out on the glory days of alt-rock and being a mosher. You could literally discover avenged sevenfold, this is kind of good. I’m sort of into it. Pure Kerrang music, you’d sit at home afterschool and go to, Kerrang, then if Nickelback would come on you'd fuck that off and go to Scuzz. Turn Scuzz on and something heavier might happen. Slipknot could come on anything from IOWA probably! If Scuzz wasn’t coming through with the goods you could hit up P-Rock in my area. P-Rock was so good, it had Ska & Punk bands, and they’d even play rancid. That was my first go-to, then Scuzz and after Kerrang.
I’d try MTV2 occasionally for Oasis.
Every now and then I’d try that, Oasis is my guilty pleasure and so was Nelly! Right before I was a mosher, we’d breakdance to Nelly, we’d never heard of Hip-Hop. We didn’t know it existed before breakdancing haha. MTV2 was full of bangers in that era, all my guilty pleasures that I didn’t want anyone to know about were played.
I couldn’t buy CD’s and there was nowhere to stream music. When a CD I wanted came out I would never have pocket money to buy it, I didn’t do chores, I was lazy! Channel hopping was my way of finding music and listening to anything. You’d be so stoked if something you actually like came on the TV.
What an innocent time. If you caught the end of a song on Scuzz you’d miss the song title and lose out. It would have the sickest riffs and you’d have lost your chance.
That’s a classic problem, remember the extreme sports channel? There was a Mountain Bike show and they played the band Strike Anywhere, I thought it was so sick, punk and fast beat. I’d only hear that song there, melodic and fast music with mountain bikes haha. I remember it said the name of the song but I missed the name of the band in the credits. I kept that name of the song for years in my head until I got the Internet and I finally found the song, I discovered the band and waited so long to hear that song again haha.
I had to wait for the Internet to come about and I found Strike Anywhere, thank fuck I could find new music.
The world seemed so big, millions and millions of bands that you were yet to hear, did you feel that way?
I was innocent, I hadn’t seen or heard everything yet. Now I feel like I’ve seen everything in the music world, they’ve rehashed it and I’ve rehashed it too. I want the searching back again, it definitely felt so exciting. You’d find local bands and literally talk to them, and eventually go see them. It was so cool. It was super naïve, I miss that being older, I have everything at my fingertips now.
Where you grew up was there a specific music scene?
I grew up in small town between Milton Keynes and London. London was inaccessible and Aylesbury never really had gigs, the music scene wasn’t really there. Every now and then a Ska or Punk band might come through; there were local metal bands that tried to sound like Metallica though.
There was this one band, The Enigma. Hah. The Enigma had one song, literally one song. They had this crazy line “You’re the only one that gets in my head, you’re another motherfucker that’s better off dead” haha I remember that! Wow, I thought ‘that’s so cool’. They had a T-shirt with that line on the back. As for the rest of their music it was all Metallica covers. That one song was a local hit. There wasn’t much else.
Growing up it was super cool. Every type of band would play with each other, Ska played with punk and with Metal too. The area was so small and all genres had to mix. At some point though bands wanted to sound like AFI and Alkaline Trio, it got big for a bit. Pop-punk bands tried to go darker and everyone was sort of Emo but played Ska and wore eye-liner ha. Obviously it was mashup of things that people had seen in videos and big cities and then attempted to do it themselves.
That’s why I feel lucky growing up in that small town, this is Punk, Ska, Hardcore all getting mixed up. You could be into everything and there was always something going on but it never got big. A tiny scene with very limited opportunity.
That’s what happened when you’re drip fed Genres, something comes from it.
Yep you are drip fed in a small town, with snippets of everything. That’s the difference between my hometown and bigger cities.
Have you ever played in your hometown?
None of my bands have, we always played in Milton-Keynes, which was the spot. I cant believe it, I’ve been thinking to myself, I’d love to play a show in Aylesbury.
Would you consider Leeds as the hometown of Higher Power and even for yourself now?
I’ve been here for 8 years, I feel like this is my hometown and Higher Power is definitely a Leeds-band, its not just where we all live. I forget that I lived anywhere else, when you’ve been in one spot for so long, it becomes your home, that’s Leeds for me.
When I first met you in the shop, I’d see you once then 5/6 months later you’d be back ‘I’ve just been on tour’. I thought what the fuck is the guy on about? On tour? Touring for what. You’re in ‘band’. So is everyone else.
Anyone could be these days for sure, I did the same thing with skateboarding. I was told about Blinky before I met him, ‘Oh a sponsored skater’ I thought to myself haha.
For you at this moment in time how are you working with the band, because you're not travelling or playing? Are you figuring out new ways to promote?
It’s pretty easy to talk about now because we had a group meeting. We’re going to put together a band zine. Louie is going to play guitar and jam, maybe even teach people how to play some of our songs. You have to take advantage of social media even more now. Our income is from touring, all we can do is try different things.
As a band, all we knew was playing shows and hanging out. We have spoken about posting old flyers, making zines, coming up with stories, messaging in questions, there’s tonnes we can do. We’ve recorded a few live sessions acoustically that will be released. I feel like being in a band now is just literally getting in people’s faces, the world moves so fast and things constantly come out. We’re just trying, testing and figuring out what we can do, the only thing is who is actually going to put it all into motion.
It’s a weird time, we’re very lucky to have social media, we can connect with our fans. If we didn’t have Instagram we’d all be watching Scuzz and Kerrang I guess haha.
The same dirty songs over and over again for three months. You haven't technically been on Kerrang, but you've been ‘in it’ through the mag. What about getting a music video on Kerrang?
I keep saying this, Kerrang are always so nice to us, its semi-surreal. They know my name, I have contact with them and they message us, they hype us up and feature us when they can. We did a two-page spread; 10-11 year old me would have never imagined that happening. I keep thinking now that music TV is dead and irrelevant, maybe the equivalent these days is the mag? I'd still want to get a video on Kerrang but it just doesn’t get pushed anymore. If it was a thing still, would I be in the mix? I’ve said to everyone, that’s when you make it, when you are on Kerrang TV haha.
Lets start a petition. Get Highter Power on Kerrang? They surely haven’t put new videos on there for 10 years, Puddle of Mudd, Higher Power then some Korn? The ‘Movies’ comes on then Jimmy Wizard haha. Fountains of Wayne after.
Yo he died bro! Mental, so gutted. End of an era.
Even my mum got into those bands. She went to Leeds last year when we played it. She went for the whole weekend. “I saw that group you used to listen to all the time. The one with the fat guys, ‘Bowling for Soup’.” Mum got into it from me watching the music videos, I never owned the CDs but I never swapped channels on their videos. Even she knew who they were, years later headlining a tent at Leeds Fest hahah.
Drawing it back to the playlist, is there any artists or tracks that are an influence on the band?
Yeah, everything on there is an influence. Goo Goo Dolls are in there even though Higher Power doesn’t sound anything like that. It’s almost kind of punky, commercial rock with a chorus and shit. Stuff like that is so influential, just simple chords played extremely well. Melody and choruses, that’s what I’ve always really liked. I’d say I put them in there because they personally influence me, their early records are legit punk and hardcore but they still make ‘rock’ songs which get played on the radio.
I didn’t put Green Day on there, they are one of those bands which influenced me, they come from Punk and play guitars. They write simple songs that anyone can play, it’s accessible to a point because of the melody, but it’s not pop. Same with Sublime, my mum would like Sublime, but it has its raw elements, the lyrics especially. They’ve produced some weird songs, there’s a track about date rape but it just all very melodic.
I’m into underground stuff too. This music got me into punk and hardcore. Choruses and melodies have always been my thing, I bring that to Higher Power. I love it. I love big choruses. A lot of the shit in there has those things I enjoy. Maybe not Travis, I remembered that song and stuck it on the end.
Travis as an ender? That was extremely surprising.
Fuck, this song is sick I’m putting it in there. It came back to me haha.
The majority is guitar driven stuff that still has melody and chorus. It’s easy listening at the same time. That’s my fetish, choruses.
Is that because of the learnability of a chorus? You’d want people to listen to it on repeat and learn it?
You want something to stick with you in music; I don’t resonate with specific lyrics all the time. I don’t get too deep. As a person who is not outwardly emotional, I don’t listen to songs to feel something in that sense. I want something that makes me feel good and that I can sing along to all day.
The Dog. That’s the most important question to ask. How long have you had Harley for? You two are never apart.
I’ve had Harley for 5 years. I got him when I’d just finished my tattoo apprenticeship; the band I was in had just broke up too. ‘Well I guess, I’m just concentrating on tattooing and not touring. I’m getting a dog.’ Then Higher Power started and the itch started again, luckily my mum can have him when I’m on tour, she's obsessed with him and really loves him. I’m so lucky I can have a dog and continue to live this lifestyle, which I definitely thought was over.
He is my best friend. Harley probably hates me haha because I’m always in his face, I’ve always loved dogs, I wanted one so bad. If you over think it you’ll never get one. Harley was an impulse, whatever my circumstances whatever happens to me I’m keeping him, I’m so thankful to have him there when I get home.
He’s super into eating stones.
Hasn’t he lost a tooth?
He doesn’t do normal dog things, he’s a little weirdo. He chews up rocks and sticks. He doesn’t play with other dogs or play fetch. He just wants to be your mate. In the house it's cucumbers and games of tug of war. We share a cucumber everyday. I’ve only stocked up on cucumbers in the lockdown.
You’ll get hench playing with Harley. He’s heavy and super strong.
You’ve done it, you’ve lifted him up. The dog is the same weight as me, I’m sure of it. I’ll do 10 reps, have a minute break then another 10. This dog and me are getting hench together!
You bought up tattooing, you’ve been doing it for 8 years now?
I started off by drawing flash sheets for fun in London. I’d get tattooed regularly by swapping stuff that I’d acquired, weird stuff tattooists want. When I dabbled with flash I wanted to do a little bit of tattooing too.
When I came to Leeds I was lucky enough to meet everyone at Sacred Electric. I’d just hang out there; I didn’t know anyone in Leeds. So, I just hung out with a guy there and they never kicked me out. I guess they thought I was funny? I just hung out.
I got an apprenticeship through that, it wasn’t planned out at all, I feel very lucky I was in the right place at the right time with people giving me a chance. I’d draw there for a couple of hours, they put me on the desk for a few days and eventually it became an apprenticeship, that was truly amazing of them.
Can we talk about the kitchen? I don’t know how much you can say? Are there Tattoo rules you might be breaking?
There is, that’s why I started Hell’s Kitchen. I don’t like this tattoo culture, that tattooing is the shop. It can be so intimidating going into a shop. Some places can make a cool guy atmosphere; I’m not into that. It’s been like that for a long time but I just don’t want to work in that environment. I don’t like that aspect; I’m not in it for the money so much or the status. I could work at Sacred; in the tat world it’s very respected. I just don’t care too much about that world. I tried guest spots but I do it in a sense it will be provocative. Its anti-establishment, I’m against establishments, that my personality. For me Tattooing can feel too established, too safe and too ‘normal’, it‘s supposed to be weird. People will say, ‘we're tattooists, we're outlaws, we're bikers, there’s no rules’, but when you're in it, there are so many rules and there is a hierarchy. If you're in with this person you are cool, it can get very Instagram based too, its not something I’m interested in.
I want to tattoo my friends and people that know…it’s a classic, if you know…you know. I liked tattooing you (Sam) and your brother you came and hanged. It’s not so much a service, when you work in a shop it’s a service industry and I don’t associate that with being creative at all. Yeah, you have to charge people to pay rent and eat, I’m not trying to make money off it and be super successful, I see it as being creative. If people want to hang and let me do my thing, that’s the ultimate bonus, isn’t it? I just don’t want to be servicing people or working for someone else. I don’t want it to be my job or be part of that industry, if you want to come through then do it, if you don’t its fine.
I think when I first got tattooed, stoked, we hung out and chatted it felt nice to be comfortable.
I don’t view the tattoo as a product and you or anyone as ‘the consumer’, I don’t want that from tattooing. I don’t want fame, Instgram fame even, and I don’t want to climb the social ladder. Hell’s Kitchen was to remove myself from one side of tattooing. I began to think there was only one way of tattooing, I literally figured this out. Later, ‘You can do this anywhere? I can do this at home?’ I’ll tattoo my friends.
Hell’s Kitchen is kind of a joke; people would post it as if it were serious.
Was it organic like the band? Two of you started Higher Power as a project and it built up.
That’s why it’s easy for me. I feel like I’m lucky, I don’t think I put too much effort into anything. I’m not one of those people that tries super hard all the time, I’m very lazy, I’ll admit that. But everything I do takes off. If I thought too hard maybe it wouldn’t.
It’s authentic though, everyone can tell in the creative world. Art, music and skateboarding, you can always tell if its too forced.
That’s spot on, hopefully that’s why people are into the things I do. I do what feels good. If I don’t feel like tattooing I wont, I don’t have to. If I just want to make music all week I’m not tied to appointments or a shop. I’m not forcing anything anymore. I’m not obligated as a tattooist. In the Summer I want to skate all day and walk Harley and I can eat, then tat in the evening. In a shop you can’t do that! You’ll tattoo all day when you’d rather not be sometimes. It’s a luxury of freedom. That’s what feels right to me, that’s what I want, freedom to do whatever and not force anything.
Hence, you put Travis at the end of pop/punk playlist?
I might have the worst taste in music. I didn’t put anything in too heavy, like I said I’m vibing on positive music during a negative time. Here are some cheesy songs to keep me going.
If you Google Higher Power, different magazines and reviewers (even Wikipedia) have assigned Higher Power to a subgenre, Is there a sub genre you subscribe too?
People say we're Hardcore a lot, I’d say ultimately that we're trying to keep the innocence of just playing music. It can be alternative music, a bit of punk, hardcore, dabbling with Smashing Pumpkins, even fucking Oasis. I’d say its just alternative music. That’s it for me, if I had to I’d label it ‘an alternative band’ we come from hardcore but that wasn’t the goal.
You understand your roots though?
Yeah, you just play music for the sake of it. An alt-rock band. We’re freaks, its freak music. Slipknot has the ‘Maggots’. I keep saying where are the ‘Freaks’? Anyone can listen to it, as long as your weird and enjoying being a freak, lets get down with some music, who cares?
Words by Fraser Doughty & Sam Hutchinson
Photography by Sam Hutchinson
Skateshops heavily rely on a powerful soundtrack, music is there to resonate with everyone who comes through and now that the physical store is closed under government guidelines I'm missing 8 hours of music a day, so I started getting people from across skateboarding to put together playlists.
I think I might be a fan of Claire Alleaume, we've never formally met or got to skate together but she's an asset to the British scene through her writing and skateboarding. I had a feeling that she would put together something special for everyone to listen to.
Last year Claire launched Two Set Zine, a self published magazine which solely relied on receiving contributions from whoever wished to produce work whether that be an essay, poetry or art all under one subject.
Hopefully you'll read this interview, get stoked and consume some new music whilst your socially distancing.
You were the first person to message me and say your playlist might be too long.
My first cut – bearing in mind I thought it was maybe an hour long – was actually over 4 hours long. I trimmed it down extensively and it’s just over 2 hours long now. But I guess a lot of the songs are quite long, so there’s not a million tracks.
I suppose the whole point of a ‘playlist’ is to be curated. I didn’t just chuck any song I liked in there! But it is a little bit longer. Everyone’s probably got a couple of hours to listen to music at the moment, hopefully someone will enjoy it.
There’s a lot of Jazz in here, could you explain your choices?
It's mainly jazz, although I use the term broadly. It's pretty much all instrumental. My guiding thought was that it's good to work to and walk to, obviously people are stuck inside, working from home… Reading too. I thought this was a good playlist for that.
A lot of jazz. A lot of British jazz, a lot of London jazz actually but there are some others throughout the mix. Some well-known names and some obscure artists that people hopefully won’t know and will discover.
Could you take us through a day-to day routine?
I'm actually really busy, I'm working from home full-time now. I’m lucky and grateful as I’m definitely not bored. I should be in Vegas right now and then I was supposed to be in Boston so that’s changed but I can work here, it keeps me busy during the day…
I’ll go out at 5ish and try to get some time outside. Skating with the dog for a bit. It’s not massively exciting but you know... It’s boring in the sense that ‘I’m just working’, but I’m thankful because I can work, and I’ve got loads to do.
Is the timing of 5pm a secret way to use up your allocated hour without getting an extra skate in because it gets too dark?
Yeah it’s a weird one. It's a case of 'Do I go out first thing or not?'. But I can look forward to 5 o'clock… I go out with the dog and push down hills, really going for it. It's tempting to go out in the morning but I need something to work towards.
Have you got any goals? You're killing it on the piano on your Instagram. We shamelessly started Runescape accounts.
I wish I had an inspiring goal, but my main goal is working hard and succeeding at that to be honest. The business I work for, like most, is affected by all this. We are all working even harder, even though we are at home. So that’s kind of my goal but I realise it’s not inspiring for anyone else.
I’ve been home for 20 days now. Not that I’m counting haha. If this whole thing is going to last, I’ll figure it out and find a goal to concentrate on then. I’ve always got something going on anyway, whether that be some writing or working on my zine, just no specific goal yet… Maybe I'll read some of the other interviews and get inspired.
Thats cool, I’d like to bring up Two Set, we have a copy here. Its refreshing and different. Its skateboarding without the act of skating, it literally could have removed skate photos. It's the feeling of opening up a mag and finding something you enjoy. The whole thing had something interesting. That was inspiring.
Awesome, thanks. For me it's about bringing something different. There’s a million and one skate zines and mags, and I’ll enjoy reading anything out there, but there's not necessarily that many that are very different either…With Two Set I guess there’s the focus on writing. It doesn’t at all have to mention skating and it’s not about skateboarding but what ties it together is all the contributors are skateboarders. Which is neither here nor there really but it appeals to me because we have so much talent in the pools of ’skateboarders’.
I’ve pretty much got the second issue ready and it’s completely different but also more of the same. It has more contributors, it's more international too, it's more diverse. Essays, poetry and even sculpture is in there, it showcases another side to the subject. I make Two Set as something I’d want to read so it’s a little selfish in that sense, but I figured there’d be likeminded people who would also be into this kind of stuff.
I like it when zines or other content in that way, especially if it's issue based. If it doesn't adhere to a running theme, so each one in its self has a curatorial presence and then you buy a second one and it has a different overall vibe. I want to see someones curatorial vision in lots of different ways, then it doesn’t get stale or boring too.
Exactly! That was important to me, the first theme was Nostalgia. It’s good to showcase different art and photos as well as writing. Virtually all the content is original, made for this zine based on the theme. All the pieces are different because of the contributors’ interpretations of the theme. I’ll continue to push Two Set in that way.
If it's available we can plug it!
Unfortunately, the second issue is delayed. You can follow the twists on Instagram, and we have big cartel too… It's a personal project and it's something I do on the side and the current crisis has created a few delays. It's not something which will come out often but I’m aiming for 2 or 3 issues a year. It takes time, especially when people are writing and producing specific content for the zine. But I’d rather have it that way. I’ll let you know when it’s available, won’t be too long now.
When it comes to making content and zines, when your not regimented about it or not being disciplined creating the issues do you think that gives you a lot more creative freedom and how important are deadlines?
I feel like I’m split over this haha. On one hand I feel pressure because contributors work hard to create content and some readers enquire about the next issue. And I’m really glad people are waiting on the second issue, but they might have to wait a bit longer because I want to get it right and give time to contributors who are putting in the effort. So on the other hand I have been annoyingly terrible at deadlines because I'll extend it to makes a piece happen for example…
I’m also really keen on having lots of different ‘types’ of things in the issues as well. Two Set isn’t something you'd read cover-to-cover necessarily. You might read a piece here and there, look at it once in a while.
Do you think that kind of freedom to not make deadlines is something you enjoy about self publishing because you can be tactile? Do you try to finalise work with a set criteria?
I would say I’m big on criteria in my work life, but with personal projects there's definitely a difference. I have a very corporate job that’s all deadlines and set criteria and I enjoy it actually. But, even if it's unconsciously, with my personal life, I work very differently.
Working on projects like this, you start to ask yourself questions. Should I even do this? Should I rewrite this sentence? You can definitely mull over it all too much, so at some point you have to finish.
I set the release party before the first zine was ready which was a way for me to make sure I stopped tweaking it. There's always another issue anyway!
Could you give us a semi-preview of whats going down for the next issue?
I mean, it's meant be an exclusive… But here goes. The theme is Chance. Just like Nostalgia it can be open to interpretation. It's positive, it's negative, it can be torturous or beautiful. In French ‘chance’ actually means luck. There are lots of dimensions to it. This issue spans internationally from the States to Palestine and Scandinavia… They are all different people and different skateboarders. That’s what this is all about.
Words by Fraser Doughty & Sam Hutchinson
Photography by Sam Hutchinson
The inexorable rise of social media has seen it become, amongst many other things, the most ubiquitous way of consuming skateboard media. Kids from across the globe who don’t even know what print media is can tell you exactly what trick Chris Joslin landed for breakfast this morning and probably what he celebrated with for lunch afterward, a paradigm shift in our culture which could be debated endlessly with regards to pros and cons, but which would take up far too much of your time and mine to discuss here.
Undoubtedly one of the major pros to our brave new world (wide web) is the rise of what, for want of a better term, I’ll describe as the ‘curator’ account; those Instagram profiles solely dedicated to sharing snippets of print and video media from the past, previously non digitised and resigned to a future mouldering in an attic or gathering dust on old DV tapes. With many focusing on US skate media, a select few (@scienceversuslife, @bygoneblighty) have been delving into old stacks of Sidewalk, Document and R.A.D. magazines, or diligently working through tapes filmed in damp car parks and dusty warehouses from Guildford to Glasgow and from Cardiff to Colchester, in the name of reminding us of what came before on this rainswept isle. The inclusion of skateboarding in the (now almost definitely postponed) Olympics is bound to bring an influx of new blood into our world, which is rad but also means that the preservation of our rain drenched, gravel scarred roots is more important than ever; those who don’t learn from history are doomed to repeat it, which I think in skateboarding terms means that if we’re not too careful we’ll be knee deep in benihanas and D3s before you can say ‘Kasperholic’.
For those entering the world of skateboarding now, its landscape is nearly unrecognisable to that of 20 years ago, so respect is due to those delving into the murkier annals of our cultural history to ensure that those times are not forgotten. One of my personal favourite accounts of this kind is @pullingteeth20, named from the Wisdom Skate Shop video of the same name and run by Jon (@jonnyexile), one of the main driving forces behind the video coming together in the first place. Starting its life as a Youtube account dedicated to raw footage from the video, it soon shifted mediums to Instagram and widened its scope to include photos and footage from the West Yorkshire scene throughout the 1990s. I hit up Jon to get his take on nostalgia in skateboarding, the role of the skateboard ‘curator’, Yorkshire skate spot aesthetics, public nudity and skateboarding in Bradford during that period, amongst other things. We have also sprinkled the body of text below with Jon’s pick of Yorkshire skate photos from the 90s, kindly scanned in by the man himself to paint a more solid picture of what was going on during that decade in this small corner of the North (“I’m sure I’m forgetting some other classics, particularly of the South Yorkshire skaters. If anyone wants to remind me and send scans over that would be cool.”) Pour yourself a glass of Sam Smiths, sit comfortably, make sure you’re socially distanced from your loved ones and get stuck in...
Interview by Jono Coote
Chris Gregory, Leeds Whippy Banks, 1991. Photo by Wig Worland
Anyone who has skated those banks knows how difficult it is to do anything on them. It was so rad to see a 15 year old Bradford skater on the front cover of Skateboard! Magazine.
The 'Pulling Teeth' account takes its name from the classic Wisdom Skate Shop video of the same name, but footage wise delves way deeper into Yorkshire skate history. How did the idea for the project come about, and is all the footage yours or do you have multiple sources for these half forgotten gems? Similarly with the photos, are they all scanned from your library or are you getting submissions from others?
The idea for the account was influenced by @scienceversuslife (Neil) and the fact that so much 90s era material has never been digitised. A few years ago my dad found 60 tapes of the raw footage that went into the Wisdom video. Most of it was mine, but others - Paul Silvester, Paul Watmough, Phil Proctor - contributed tapes which I never returned to them (sorry!). I reckon 90% of it wasn’t ever used and I’d not even watched some since the time it was filmed. I sent them up to a guy in Glasgow to transfer onto DVD. Several tapes had degraded badly, but he managed to salvage most of them. I then encoded them into MP4 format and uploaded to YouTube unedited. I circulated the links, but such raw footage is hard work to watch and I figured that editing into one minute clips for Instagram would be more interesting. It took me a while to work out the best way to edit and transfer for uploading. With the photos, they’ve been a mix of my own random shots and scans from mags of 90s-era Yorkshire skaters. I’ve stolen a couple of these from other accounts, but always try to give credit.
And has anything been uploaded that you yourself had forgotten about, or in fact have no memory of at the time?
Yes, lots of it. I found stuff that should have been in the original video, but got missed as I’d ‘lost’ it. If a tape ran out mid-way through a session, I’d sometimes continue on the end of another tape, so the footage ended up fragmented. Even now with the MP4s, it’s a big job finding stuff. There is also a lot of footage which wasn’t deemed quite good enough for the original cut - poor filming, trick repetition, the landing wasn’t clean or whatever. Doug McLaughlan, for example, was incredibly prolific, but we couldn’t use everything in his part. Also, it’s been strange looking at the footage of Cookie, Graham ‘G’ Walton and now Jamie Firth, who have all sadly passed away. It brings home the importance of documenting the scene and the individuals who are part of the community. You never know when it might happen, we all take life for granted.
I can imagine that being a strange experience, I never knew Cookie or G but was fucking gutted to hear about Firth. Always thought he was one of the most underrated skaters in Yorkshire, watching him do frontside nosebluntslides across the length of Hyde Park miniramp is imprinted on my brain from my early student years and he was the sickest dude to sit on the grass next to the park and neck cheap wine with. Didn't he used to skate from Wakey to Leeds for the session as well?
Firth was a great guy, no ego, just really into skating for the right reasons. I heard about him skating from Leeds to Wakey after a night out, it’s about 10 miles, so I guess it’s doable... nuts though!
Yep, pure Terminator-push! With regards to the video itself, how did that come about? Who edited/filmed and how was it decided who was going to be in it? What else was going on in the Yorkshire skate scene at the time?
I guess you could say that started in March 1999 when I bought a £300 camcorder and a Jessops fish-eye lens. It was actually a low point in the Yorkshire scene as Rehab Skatepark had just closed. Also on a Bradford level it was tough as Wisdom had closed, although it later reopened in Leeds. Quite a few of the regular Bradford-based skaters (namely G, Dan Morgan, Greg Adams and Danny McCourt) had all moved away. There was a younger generation emerging, but one of them, Matthew Douglas, tragically died of an asthma attack. I remember I just felt we should have been documenting the Bradford and wider West Yorkshire scene more.
At the end of 1998, we went to the regional premiere of Birdhouse’s The End in Sheffield. This also included the premiere of a couple of local videos - Through the Eyes of the Ruby by Neil Chester for SUMO and the Sub C-Y promo by Toby Batchelor. The End was obviously groundbreaking but we were more stoked to see people we knew, like Joel Curtis, John Winter, and Scott Palmer, absolutely killing it.
I liked the idea of creating a raw Bradford scene video. There was no way I could afford a VX1000 or even a cheap DV camera (prices started at about £700), but just getting some grainy footage on a cheap camcorder was better than nothing. The original plan was full parts for Roz, Ollie Barnes, John Holmes and Doug McLaughlan. Doug was only 16 or 17, but he had an attitude and style that was unusual for the time. We could see the potential he had and definitely wanted to showcase this. Also, with Roz, he’d been killing it for years but received hardly any coverage. It felt a bit unjust really. So we just started filming everything. No schedule, no storyboard, no specific spots or tricks, it was just wherever we happened to be. People were sceptical that I’d do anything with it, but were generally up for filming. Ollie Barnes wasn’t though, every time I pointed the camera at him, he’d often just stop skating, ha ha. He then got injured, so I didn’t get enough footage of him for a full part. By the end of the summer ‘99 we’d got quite a bit of footage and the plan started to change somewhat.
This is when James ‘Schoolboy’ Ewens got involved. He had started working for Wisdom, and opened their Manchester store in the Northern Quarter. He pitched the idea of a Wisdom video to Lecky. He talked Toby Batchelor into producing it. As I remember it, it was a done deal when he told me ha ha.
We started editing at Toby’s place in Barnsley in November ‘99, but it was clear we needed much more footage. Paul Watmough provided a couple of tapes which included Roz’s opening line. Paul ‘Man’ Silvester came through with some really good stuff of himself and other Leeds skaters, although he had to hold back his best stuff for Unabomber’s Headcleaner video. Toby also had some footage of Arthur Tubb and various others to contribute. When we weren’t editing we’d be travelling to the House in Sheffield or Rampworx in Liverpool.
Around the same time Ben Powell from Sidewalk arranged to visit a couple times with Leo Sharp for a feature on the lesser-known Yorkshire places and faces. That definitely stoked the crew.
Around March 2000 the video really picked up. We received contributions from Tom Henshaw, Darren ‘Mott’ Mottershead, Frosty and Phil Proctor. I think Bingo was going to send something through, but it arrived too late.
I would drive from Bradford to Barnsley a few times a week and we’d edit clips into parts. It was a slow process. Toby had an iMac and early copy of Adobe Premiere. The rendering took hours, an overnight job. Toby would call me the next day and tell me whether it had completed or crashed. It was finally done by July 2000.
And how was the music for the video chosen? There's some classic hardcore punk in there, and watching Vince wreck himself down those stairs to the sounds of 'Message in a Bottle' is strangely hypnotic. Wasn't H meant to skate to Negative Approach in Is What It Is, but Birdo or whoever edited that video mixed things up and edited Casey Lindstrom's part to 'Can't Tell No One' instead?
It started out with the idea that we should feature British punk/post-punk bands, stuff like Buzzcocks, Gang of Four, Joy Division, but that didn’t last long. We ideally wanted each skater to choose their own music, and we didn’t want to use tracks that had been used on other skate videos. It was quite hard work as there were no websites to reference, and we couldn’t wait weeks for people to make a decision. There were a few differences of opinions, but generally they fell all into place.
With ‘Message in a Bottle’ it was because we needed a five minute track for the Tom Brown/Leeds friends part. It was on a post-punk mixtape I had and was Schooly’s idea to use it, initially as a joke I think. It was one of the first parts we completed, it was ripped onto VHS and widely viewed. Everybody seemed to like it, so we just left it in there.
I think that point about H’s part in the Consolidated video could well be right, and directly led to using Negative Approach for his part in Pulling Teeth. Both this and Poison Idea were Lecky’s suggestions. We immediately knew that track (‘Punish Me’) would work really well for Doug’s part. Doug was stoked on anything Portland.
For Roz, his initial choice was a Devo B-side but we couldn’t find it on CD. I’m not really sure where Sabbath came from, but we were all listening to classic heavy rock in the late 90s. ‘Children of the Grave’ was a bit more obscure, pretty dark but not as sludgy as some of the other Sabbath stuff. It just worked for Roz’s part, especially that rad first line.
Spot-wise, I feel like Pulling Teeth and the videos you mentioned being premiered before The End definitely captured a certain gritty aesthetic peculiar to Yorkshire skate spots - maybe it's something to do with the cobblestones, but I've always loved seeing ex-industrial Northern towns as the backdrop of skate videos. Was the post-industrial decline a chance to properly take advantage of these urban playgrounds in a way not possible in more affluent areas? What is it that you think makes these spots (T&A, the Man Bank, Beeston Banks etc) so instantly recognisable, and do you think such harsh terrain was important to shape the kind of skating that was going down at the time?
Definitely. Leeds became gentrified in the 90s, but everywhere else was pretty rundown. Industries had been ravaged by the long recessions of the early 80s and early 90s. Many places we’d skate would be sketchy and derelict. Social deprivation was, and still is, a massive issue. We rarely had any trouble, but we probably skated a bit faster and with more aggression to scare some of the crazies off. We were outlaws in the 90s though, the general public hated us.
Richard Armitage, Cross Road, 1992. Photo by Percy Dean
It’s just an ollie, but it’s 100% style. Vans, Indys, cut off chinos.... just timeless. I see this, and it makes me want to go skating.
I guess there's a lot of rose tinted nostalgia for that era, a kind of 'innocence lost' yearning for a time when skateboarding was a lot more underground and there was much less outside interest from big business...but it's also been a few years since anyone's thrown a brick at my head down the skatepark, which I'm pretty stoked on. I guess everything has pros and cons, but how do you feel about skateboarding's rise to probably the furthest it’s ever been into the limelight, with Olympic inclusion around the corner? I know that's a huge question…
Ha, yes there’s a lot of nostalgia going on, sorry I’m only helping to fuel it. I think it’s because more people from that generation are still following it, still skating or connected to the industry in their 40s. It’s rose-tinted in revelling in how underground it was, and it glosses over the negative trends of the time. Skating hasn’t changed that much, most of the same brands are still around, the boards are pretty much the same, Daewon is still doing mind-blowing stuff! In the mid-90s there wasn’t much nostalgia for the mid-70s, the Z-Boy era seemed impossibly ancient history and the 80s era was widely lamented for its lame fashions and vert dominance. Now there’s nostalgia for all of the various eras and it’s through Instagram and YouTube that this is celebrated. It couldn’t really happen back then as there simply wasn’t a mechanism for it to happen. The Olympics, which probably won’t happen this year now, is a big step. The wider public will see the athleticism and competitive elements, but they won’t see anything of the culture. The good thing is that it will undoubtedly inspire a new generation, and many of them will push it in positive directions. It could be a ‘Back to the Future’ moment.
Definitely; social media, for all its faults, has done us a favour by bringing the role of curator to the forefront of skateboard media in a way that couldn't happen as much in a magazine format with a focus on publishing what is seen as 'up to date' - nowadays, any kid starting out can find out about what came before, right from the beginning, without relying on their being an older crew in their town or stumbling across the right old videos and magazines. With (and you've already mentioned @sciencevslife here), what are some of your favourite historical skate accounts to browse through?
Absolutely. The barriers to entry are much lower for anyone wanting to document themselves and their friends now. Instagram video has really been a game changer in the past few years, but it’s been good to see some great long form videos recently. I wonder how long that will continue for though. In some ways it’s much harder for the brands to constantly produce new content to stay relevant. The demand now is insatiable. In the 90s it would be the odd 411 profile and maybe a team video every year. Alien Workshop took six years after Memory Screen to deliver Time Code, and then another three years to create Photosynthesis. Flip waited over ten years before they unleashed Sorry. As for nostalgia, there seems to be a new, old account every other day. My favourite has to be @all_hail_skateboarding which has lots of Julian Stranger, Cardiel and other powerful greats. I love new stuff though, there are too many to mention. It’s important not to just dwell on the past.
Paul Silvester, Man Bank, Leeds University, 1996. Photo by Wig Worland
Even by Yorkshire standards that bank had a horrible, uneven surface...and the car park next to it was rough as. I remember seeing the sequence and just thinking it was madness to ollie into it, suicidal. Some unbelievable stuff was later done into it, but Man was the first to even think about it.
Speaking of Cardiel, watching those old clips of Bingley Miniramp in Bradford gives off a very Jim's Ramp Jam vibe - how much of an influence was that San Francisco based Deluxe scene on Bradford skateboarding at the time? I remember an old Rozee interview in Sidewalk talking about 'Roy's Army' and the local appreciation for a certain spiderweb headed Big Brother interviewee…
There were some crazy sessions at Bingley, it was always a lot of fun. It was often like Jim’s, everyone dropping in at the same time, survival of the gnarliest, ha ha. Yeah, the Deluxe thing... well I guess that built up through the 90s, we all loved Real and Stereo. G opened Wisdom in ‘95, I think AntiHero had just started and he was immediately into the aesthetic. It really was an alternative to the likes of Girl, Chocolate, and all the World brands which were so popular at that time. It was a bit of a reaction to slow ledge tricks on skinny boards wearing oversized jeans, ha ha. Wisdom definitely championed that ’hesh’ vibe, and G (and Roz) almost certainly introduced it to a young Doug. Hardly anyone was wearing old school Vans at that point. Most kids didn’t have a clue who Andy Roy or Cards were. It probably came across as some kind of inverted snobbery, there was that whole fresh vs hesh thing, ha ha. Has much really changed in 20+ years though? That hardcore authenticity has long been the brand value to strive for.
Scott Palmer, Pig and Whistle Banks, 1998. Photo by Leo Sharp
Classic Leeds spot and a seriously boned kickflip over the awkward rail and into the tight bank, although he may well have cleared the bank. Palmer was an amazing skater, and a really cool guy as well.
I imagine there are some pretty hectic stories from those early Wisdom days, I remember Roz telling us about Dave Wynne booting shoplifters in the bollocks? What was the funniest thing you ever saw go down there?
Too many Dave stories to mention, and they all involve public nudity, ha ha. He would definitely get arrested these days. Look out for a gram post requesting stories to be shared. Dave could barely skate, but he knew all the Bradford skaters from a pub/club called Tumblers that we would frequent. He and G were unemployed, and the only way they could continue to claim dole was if they signed up to a Prince of Wales entrepreneurship scheme. They basically came up with the idea of the ‘Wisdom’ brand and that evolved into the skate shop. They were totally winging it. G bowed out in ‘97 as he’d become a father and needed more security. Lecky had a punk record sub-let, so he picked up the Wisdom partnership with Dave. They were just subsisting until they moved to Leeds. It was the right thing to do, and they were able to support some great skaters across the whole of the north.
I was going to finish up with a 'top three things witnessed at T&A banks' question here, but realised we haven’t mentioned Snoz yet - I feel like his contribution to the scene can't be underestimated and, looking at The Ripped and the pool that used to be in The Works, his creations are still way ahead of the curve in terms of wooden skatepark construction. I can imagine a fair bit of excitement trying to figure out what mental obstacles he was going to build next?
Snoz was almost like the Yorkshire ‘Animal Chin’ for much of the 90s, an enigma. You’d hear about him but not see him for months, years even. The stories seemed outlandish, like cycling all the way to Germany for the Munster comp on his mum’s bike and then cycling from Germany to Portugal. He built most of Rehab Skatepark in Wakefield of course, which was so important for the UK scene - second only to Radlands. He did quite a few parks across the north and you knew they would be rad. There was a great mini in Heysham, Lancashire which was so creative. According to Phil Proctor he just ripped up their plans and did his own thing. The owner of the park and hired joiners were livid, they didn’t realise who they were working with. A mad genius, Mad Snoz!
Snoz, T&A Banks, 1996. Photo by Wig Worland
A frontside rock n roll on the T&A Banks should always belong to Roz in my mind, ha ha. For whatever reason none of the Bradford skaters were there that day, must have been a covert shoot. Just added to the Snoz enigma!
As for my top three things on the T&A banks? That is a tough one...
3. Roz, generally ripping with style slash grinds on those bricks!
2. Neil 'Nezza' Godding doing full length boardslides, so rad.
1. A guy called Craig Oates trying McTwists (!) around 1990. It was seriously crazy that he managed to get close.
If there’s space for shout-outs, big ups to everyone following the account and commenting on the posts. Thanks to everyone who’s contributing pics.
Also, big thanks to everyone who contributed and helped edit footage for the video back in the day, James Ewens, Paul Silvester, Tom Henshaw, Roz...and especially Toby Batchelor, it wouldn’t have happened without him. And of course to Dave, Lecky and G (RIP) for making Wisdom a big part of the community back then. It’s rad to see Welcome continue the legacy. Skater Owned Shops need our support more than ever.
Carl Shipman, Rehab, 1996. Photo by Wig Worland
I think Carl was from Worksop, Derbyshire, so doesn’t quite count if we’re being strict. Wakey was his second home and he was seriously good here. This tweaked indy out of the BMX quarter was just mind blowing, it would still stand up today.
Atlantic Drifter and Isle Pro Mike Arnold kindly sat down with myself and Sam Hutchinson to sieve through some of his favourite clips around the subject of "extreme". He talked us through the realm of 'Send It' culture but we also got to delve into some ideas which as skateboarders we tend to block out.
The following clips were submitted by Mike. It accumulated to the three of us talking at length about paragliding, skiing, freerunning and the limits of the human body.
Why the profound love for the extreme? It’s not the extreme sport because it’s purely X-treme sport in these clips.
I didn't know there was a difference.
Well I'd take it as someone might die? Is that where the proverbial line is when it comes to losing the e?
I know that sometimes I want to take things a little bit further until its uncomfortable, that’s what’s exciting. It excites me for some reason 'the physical risk in a controlled environment' is a high really. Its adrenaline without being jerky, its not the type of adrenaline you get when you're on edge,worrying or over-thinking stuff, its 'flowy' in your body, it's addictive. Paragliding is the perfect example.
Wait, what you're Paragliding?
Yeah! I’ve been doing a course.
I’ve not got my own kit yet but I've been to Spain for two weeks, that is by far the scariest thing I've ever done. The training is never done tandem, it’s by yourself on a 200ft slope. Then you jump to a 2000ft mountain. It’s the coolest thing in the world.
This is the first one. Its some stunt style takeoff, and he might be naked which is obviously cool *laughs*.
You have to trust the equipment with this one I guess?
Yeah a lot of trust. He has a base wing so it can't collapse as easily as a paragliding wing. Is he naked? It looks like bondage gear.
There’s two layers of cloud too! Paragliding is all about firsts, first time you start thermalling, first time you get to cloud base, that’s where I want to get to. You can go cross-country and do hundreds of kilometres, just using the equipment properly, no motors.
This one is pretty sick, he’s tanking up to a huge jump. Its mixing those two things. Dirt biking with base jumping, I’m assuming it doesn’t get done a lot. It’s the mentality, this is going to work. 'It’s going to have to work, I’ll just have to try it'. Nobody is going to teach you how to do something like that because it probably hasn't been done before. The destruction of the bike is pretty funny.
They try to attach the bike to a parachute?
I never noticed that.
It’s a DIY jump, that you make when you're young.
Who the hell are these guys? Also there's really not much room for error.
Like base jumping, the lower and closer you are to the ground the more dangerous it is. You can’t hit anything up in the sky all you can hit is the ground. He needs to go as fast as he can and get as much height too to make it less dangerous. A proper send as these guys say.A weird reminder of the ‘Extremely Sorry’ Bob Burnquist mega ramp cliff maneuver, is this something you’d try?
Well...is it too kooky?
This is escapism from skateboarding, would you want skateboarding to be involved at all on this side?
Kind of, I sometimes get a bit bored of skateboarding really, there’s so much other stuff. It would be cool to link; but it's easy to do something kooky. I didn’t quite get the Bobby B clip when I first watched it when I was younger.
Was it the frivolity?
It’s funny, the idea of not landing tricks can still be legit. If you do a cliff jump into water, you always kind of land it unless you die. Ideally you want to do it right but, it’s still kind of a land because you went in the water. With skating you're supposed to land back on the board. At the end of the day you’re just playing around with a few things that gives you some enjoyment. If you land in water why not? You get a great feeling. You don't roll away, you swim away instead.
100% that completely works if you can swim.
You have to think about it if you swim with your clothes on it can be really dangerous. There can be negative buoyancy if you’ve got a big jacket on. Be careful!
The motion though, as soon as he takes off and throws his body he doesn’t move after that it’s as if he’s unconscious. Trusting that takeoff.
It’s a different kind of commitment isn’t it? Being 100% certain of yourself and understanding the risk.
You can try a trick on flat 100 times, sure it will be annoying, but if you don’t spot your landing properly diving, or hit a rock close to the surface with some of these things you don’t get a chance to mess up unlike skating.
“You don’t need a parachute to go skydiving but you need a parachute to go skydiving twice.” Somethings you just can’t do wrong.
Is it the frantic lunacy of trying stuff versus a controlled mental state?
Handrail skating is kind of like that. That’s what I like about jumping off high things, knowing that you have to do it right, but also be calm. Fear will get in the way of your technique. Fear can be one of the most dangerous things. It’s a big thing with deep sea diving too. They’ve banned it as a sport though because its too dangerous now,too many people kept dying trying to beat the world record. That’s all about being calm in a meditative state. Deep sea stuff scares me.
There’s something weird about being surrounded as opposed to the sky.
The sky is way better.
Two skiing clips? I wasn’t expecting that.
I love watching skiing. Skiing looks way better than skateboarding surely? The person does a 360 flip or even a fakie 360 flip, this is really mesmerising, so fucking good.
I find the other one really funny, the song works, it’s called buttering. This one basically just a manual.
This one is stupidity, its quiet funny. It looks like he’s got flip-flops on.
Is that the most dangerous part for you, you know that he’s not wearing appropriate footwear for a ladder?
It's spontaneous ‘I reckon I could do that.’ A complete lack of planning.
This is why I love humans.
You fully have to commit to that once you’re on the train. As soon as he steps on the ladder he has to do the whole thing, at the right time. This guy has definitely never rehearsed this moment. He could be stuck on that train in his shorts and flip flops unless he jumped. I think the risk reward with this one is way off though. Proper stupidity!
The scrub on the Motocross bike it's so early. I don’t think he touches the ground, a full tilt at speed to float. The taking off is so smooth and kind of cool I guess. I used to ride mountain bikes and build trails in the countryside I had a few phases in my life, bike jumps, rhythm sections and then really into parkour. I didn’t put any parkour clips in there, that also stopped.
One phase might stick? Is this your longest phase?
Yeah skateboarding, this is my longest phase. It doesn’t have to be as obsessive and one track minded though, these other things are all still really cool. I can revisit them and have fun.
Growing up in Newcastle you’d go to a skate spot and it was full of freerunners. The spot would be blown up with 20 people doing parkour, I thought ‘this never happens anywhere else’.
Bristol used to be the same, it was massive there. There’s tricking and A-to-B stuff. Sometimes when trickers land they just run away. That run can look a bit kooky. When gymnasts land they stop, poised, arms up. Im not sure about the run off, in skateboarding the wheels do it for you and that’s a nice feeling.
Skateboarders pride themselves on knowing their city but the same goes for black cabs and parkour.
@sender_tv? What are you doing?
I posted this one the other day? He just does this so smoothly, I don't like the idea of messing around with horses. The horse isn't having a good time. This guy gets his warning from nature. He's lucky very lucky, great video but don't piss the horse off. I like the accidental nature of the movement, he couldn’t do it better.
I like this, he lands it before he lands it?
His legs are there ready to land it. Its insane, one of the most mental videos.
I got sick of skateboarding accounts on Insatgram, I followed all this stuff, it got me interested again but in the process I ended up unfollowing some of my friends who skate! People take that stuff seriously. Sorry!
Right that’s it. Death Diving Official on Instagram, all of that amazing.
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WORDS BY FRASER DOUGHTY & SAM HUTCHINSON
PHOTOS BY SAM HUTCHINSON
VIDEOS COMPILED BY MIKE ARNOLD